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She passes a toaster and now it shows that she is in a burning fun house. She proceeds to kick over a toilet and picks up a framed photo. Pink emerges from an old empty pool and begins to sing the first verse. The video begins as it pans low to the ground showing an "Elvis" grave briefly. There are 'evil clowns' throughout the area who are picking though the rubble and playing the instruments as the band. The video takes place in a barren lot that is later shown to be what's left of a house that is still burning. Tony Kanal of No Doubt, also the co-writer and the producer of the song, appears in a cameo, playing a piano. The music video was directed by Dave Meyers and premiered on June 20, 2009, in the United Kingdom on 4music at 11:00am. The following week, the song debuted on the Billboard Hot 100 at No. The song was released on August 25, 2009, in the US, and in the week ending October 3, the song debuted at number 23 on the Bubbling Under Hot 100 chart. "Funhouse" debuted on the Canadian Hot 100 at No. In the week of August 4, 2009, "Funhouse" debuted at the Dutch Top 40 at number 31, making it Pink's 19th entry on the chart. The song was also added to the B List of the BBC Radio 1 Playlist. "Funhouse" first appeared on the UK Singles Chart on July 5, 2009, at number 155, and peaked at twenty-nine. In New Zealand, the song debuted at number 18 on August 3, 2009, becoming Pink's fifth consecutive top twenty hit from the Funhouse album it peaked at number 15.
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1 single on the Australian Airplay Chart, with all four previous singles from Funhouse also reaching the top. The song also became Pink's fifth consecutive No. "Funhouse" became Pink's 16th top 10 single in Australia, climbing to a chart peak of number six on 2 August 2009.
Pink funhouse lyrics full#
The singer delivers with full force, colliding with lively guitar licks and hints of synth" and giving it an 81% approval. Reception Critical reception īillboard gave the song a very positive review, saying "Pink again displays her versatility on this complex number, which calls for blues, funk and rock vocal stylings that few other pop stars could pull off.